|
|
 |
 |
 |
|
1. First, I give your manuscript an intensive
reading, getting to know your writing style, voice, and story as I mark up copy and make editorial notes regarding:
- Tightening the writing (you may see lots of adjectives and adverbs go away);
- Spelling;
- Sentence structure;
- Story flow & pace, rooting out dead spots;
- Plot flaws, continuity inconsistencies;
- Character development;
- Transitions;
- Use of active voice;
- Proper word usage;
- Clarity and "weak" word choices;
- Subject/verb agreement;
- Overuse of words or characters
- Redundancies.
- Coaching & instruction on writing craft.
I'll note additions, deletions, and direction on your manuscript. I may suggest that you move sentences, paragraphs, sections or even chapters. It's likely you'll see suggested deletions
to enhance story and pace. 2. I print out and go through the manuscript line by line a second time, tightening the editing and looking for anything missed. In some cases, I've
restructured the novel--I do it for you, not just telling you it needs to be done. You can then accept, work with, or reject the structure I suggest. 3.
Then I write a critique letter detailing my thoughts on your manuscript. If I've found a flaw in plotting or structure, I'll do my best to suggest a solution — but only as a starter thought for you to
then apply your unique talent and perspective to solving the problem your way. My goal is your well-told book. All comments are aimed at achieving that goal. It is, of course, entirely up to
you to agree and adopt or disagree and discard. Back to top.
|
|
|